International Academic Conference during the Handel Festival in Halle (Saale), 1 and 3 to 5 June 2019
Between the pagan sorceress Alcina and the Christian martyr Theodora, Handel has created a complex cosmos of female figures in his operas, oratorios, cantatas and serenatas, fed by history, myth and epic. That women in Handel’s works are often “powerful” figures, that they are active and dominant and act self-confident, gives them a modern touch and raises the question of past and present gender conceptions. The modernity of Handel’s female figures also shows in their emotional complexity and dramatic developability. The musical elaboration of the individual parts was, of course, always linked to the interpreters and performance situations for which Handel composed his works.
Experts from the USA, Great Britain, Austria and Germany will speak about Handel’s female figures in their historical characteristics and current brisance. The intention is to find out if Handel’s complex view of female characters is a singular or rather time-typical phenomenon.
At the beginning of the conference, the International Handel Research Prize 2019 will be awarded. Following the lecture on 1 June, Prof. em. Dr. Silke Leopold will receive the Handel Prize of the City of Halle.
Programme
Saturday, June 1, 2019, Stadthaus am Markt
10 am: Festival Lecture and Award of the Handel Prize of the City of Halle
Silke Leopold (Heidelberg)
Von A(thalia) bis Z(enobia): Händels Galerie der starken Frauen (in German only)
Monday, June 3, 2019, Händel-Haus, Kammermusiksaal
10 am: Opening of the Conference and Greetings
Award of the International Händel Research Prize
Lecture by the prizewinner
Musical Programme: Students of the Institut für Musik, Medien- und Sprechwissenschaften der Martin-Luther-Universität Halle-Wittenberg
1:45 to 3:15 pm: Section I
Elisabeth Birnbaum (Wien)
„So are they blest who fear the Lord“? – Händels biblische Frauengestalten
Sabine Volk-Birke (Halle)
Geschlechterrollen in Händels Oratorien: Haben Frauen Handlungsspielräume?
3:30 to 5 pm: Section II
Irmtraud Fischer (Graz)
Gender „wildert in Texten“. Zur Rezeption biblischer Frauenfiguren
Matthew Gardner (Tübingen)
Female Virtue in Early English Oratorios
5:30 pm: guided tour through the exhibition „Ladies first“
Tuesday, June 4, 2019, Händel-Haus, Kammermusiksaal
9 to 10:30 am: Section III
Natassa Varka (Cambridge)
„For Wisdom far renown’d“: Jennens’s Nitocris and her role in Belshazzar
Ellen T. Harris (Massachusetts)
Deranged, defiant, and dutiful: Ginevra, Susanna, and Iphis facing the threat of death
10:45 am to 12.15 pm: Section IV
Berta Joncus (London)
„Charity as well as Skill in Music“: Galatea, Giulia Frasi, and Self-Staging at Ranelagh Garden Concerts
Donald Burrows (Milton Keynes)
Beyond Theodora. Handel’s oratorio soloists in the 1750s: men, women and castrati
1:45 to 3:15 pm: Section V
Ina Knoth (Hamburg)
Eine Kriegerin – drei Tonsprachen? Margherita Durastanti in Il Muzio Scevola
John H. Roberts (Berkeley)
Semiramide: Handel’s Unknown Queen
3:30 to 5 pm: Section VI
Reinhard Strohm (Oxford)
Weibliche Arientypen in der venezianischen Oper und bei Händel?
Wendy Heller (Princeton)
Authority, Agency, and Autonomy: Handel’s Women and the Legacy of the Seicento Heroine
5:30 pm: guided tour through the editorial office of the Hallische Händel-Ausgabe
Wednesday, June 5, 2019, Händel-Haus, Kammermusiksaal
9 to 10:30 am: Section VII
Ivan Ćurković (Zagreb)
Concealing musical feminity: women pretending to be men in Handel’s works
Graydon Beeks (Claremont)
„Thy hand, Dalinda“: Characterization, Contrast and Maturity in Ariodante
10:45 am to 12:15 pm: Section VIII
Antje Tumat (Paderborn)
Rodelinda bei Händel und seinen deutschen Zeitgenossen
→ This paper is cancelled!
Ruth Smith (Cambridge)
„Ho un gran cor“: Dorinda’s great-heartedness
1:45 to 3:15 pm: Section IX
Corinna Herr (Bochum)
Griselda zwischen Scarlatti und Vivaldi: Wandlungen eines Weiblichkeitsbilds im Dramma per musica
→ This paper is cancelled!
Florian Mehltretter (München)
Il pastor fido – Decorum und Tragikomik unter Nymphen und Schäferinnen
1:45 to 3:15 pm: Section X
Anke Charton (Wien)
Amastre to Armida: Tropes of Female Agency in Handel and beyond
Suzanne Aspden (Oxford)
Emblems, allegories, didacticism and nationalism: figuring the female in mid eighteenth-century Britain
Conclusion
Abstracts and biographies can be read in the conference brochure.
Download the flyer of the conference:
Flyer Handel 2019 [2.4MB/pdf]
Download the conference brochure:
Programme 2019 [169KB/pdf]
Contacts
Prof. Dr. Wolfgang Hirschmann
Martin-Luther-Universität Halle-Wittenberg
wolfgang.hirschmann@musikwiss.uni-halle.de
Dr. Annette Landgraf
Georg-Friedrich-Händel-Gesellschaft e. V.
landgraf@musik.uni-halle.de
Dr. Konstanze Musketa
Stiftung Händel-Haus Halle
konstanze.musketa@haendelhaus.de
Organizers and Sponsors
Institut für Musik, Medien- und Sprechwissenschaften, Abteilung Musikwissenschaft, der Martin-Luther-Universität Halle-Wittenberg
Stiftung Händel-Haus Halle
Georg-Friedrich-Händel-Gesellschaft e. V., Internationale Vereinigung
Supported by Mitteldeutsche Barockmusik e. V. with funds from the Beauftragte der Bundesregierung für Kultur und Medien and the states of Sachsen, Sachsen-Anhalt and Thüringen and
the International Office of the Martin-Luther-Universität Halle-Wittenberg.
The International Handel Research Prize is awarded with the friendly support of the Stiftung der Saalesparkasse.
Locations for events
Stadthaus am Markt
Händel-Haus
Große Nikolaistraße 5
06108 Halle
Tel. +49 (0)345 500 900